Leelee Kimmel: Channels
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Overview
Leelee Kimmel was born in New York, New York in 1983. She attended Brown University in Providence, Rhode Island.
Kimmel's recent solo and group exhibitions include “Night Ride” at Almine Rech in Shanghai, China (2022); Tennis Elbow at The Journal Gallery in New York, New York (2021); ”Leelee Kimmel" at Almine Rech in Paris, France (2019); "Wormhole" at Simon Lee Gallery in London, United Kingdom (2018); "Channels" at The Journal Gallery in Brooklyn, New York (2018); "100 Sculptures" at Anonymous Gallery in Mexico City, Mexico (2018); and "Feedback" at Marlborough Contemporary in New York, New York (2017).
Leelee Kimmel lives and works in New York, New York.
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Works
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Leelee KimmelMicroscope, 2016Acrylic on canvas85 x 120 inches
215.9 x 304.8 centimeters
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Leelee KimmelLa Cucaracha, 2016Acrylic on canvas120 x 155 Inches
304.8 x 393.7 centimeters -
Leelee Kimmel, N'Channel, Shiny Boy, 2016
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Leelee KimmelSoft Spot, 2017Acrylic on canvas85 x 130 inches
215.9 x 330.2 centimeters -
Leelee Kimmel, Ice, 2017
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Leelee KimmelLittle Screaming Rig, 2017Acrylic on canvas43 x 35 Inches
109.2 x 88.9 centimeters -
Leelee KimmelIt Started, 2016Acrylic on canvas14 x 124
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Leelee KimmelSpreadable, 2016-2017Acrylic on canvas78 x 120 Inches
182.9 x 304.8 centimeters -
Leelee KimmelMitrailette, 2017Acrylic on canvas83.5 x 107 inches
212.1 x 271.8 centimeters
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Text
The Journal Gallery is pleased to present “Channels,” Leelee Kimmel’s first solo exhibition.
Leelee Kimmel’s new series of large-scale abstract paintings articulate a language that the artist has been exploring over the course of the past two years to create a unique, personal vocabulary. Her all-over approach to painting eschews any hierarchies or horizon line in favor of shiny, pop-out amoebic organisms, sharp angles, gut-slung bursts of color, and a floating abyss reminiscent of the virtual world or deep space.
“I like to think of these paintings as full atmospheres, surrounding you completely,” Kimmel explains. “I’m interested in creating something that allows you to jump in and immerse yourself entirely, like the VR worlds I also create as separate artistic entities. For me, the work is somewhere between classical and futuristic, between alien and early human signage. My paintings are like a channel into a differently constructed world. There are electromagnetic pulses, satellites, electricity, atomic bombs, pesticides, and souls—particles constantly attracting and repulsing each other. You have to charge through it all to claim your moment of love or happiness, no matter what it looks like. You will always get interrupted and often demolished.”
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Installation Views